I wouldn't have said much but he just kept trying it even after I said I wasn't interested. Turns out he's in the closet and he was tryna fuck me. Princeton from Mindless Behavior was there and I ain't really know who he was because I didn't listen to Mindless Behavior but he seemed like a cool dude and I thought he wanted to work on something. "I've only ever actively worked in one studio and I was helping my friend record music. If Bishop can make a track or album in his "home studio" with his own mic and equipment, is there any use for him to go back and record in the studio? The answer depends on what experience-maybe the quality of music wanting to produce-and the artist's outcome from what that studio can offer and help them develop more. The competitive studio culture can make or break the experience of being in a studio to where it brings up the question of are studios even relevant anymore? Rather than collaborate or network, other artists would instead want to advertise themselves with an ego. Within studios, there is a competition on trying to one-up someone who's there. There is a lot of competition in the industry, but it doesn't just happen there. "Bigger artists won't want to work with you because you don't have enough clout."
As he was waiting and observing, he noticed that people were trying to one-up one another and that they had an ego.
There were unknown and well-known artists there to record.
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In fact, Bishop was grateful he did since he could use his laptop and his Interface-things he knew how to use.Īs he was in the studio, he wasn't alone. He had to bring his equipment, but he wasn't too upset about that. However, that wasn't the normal workflow or experience Bishop got as he went to a studio for the first time. Rarely does he take breaks, so sometimes this process will take an hour and a half if things are working all in order. Rarely will he ever scrap a song, but the process is anywhere from four and a half to six hours long-he likes to get things done in one day. "It's a simple process-straightforward- but doing it is challenging." Because Bishop is his own engineer, he understands the whole process of making a song.
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Recording in a professional studio can be beneficial because you have the most updated systems and skilled music engineers to help produce what you want. Most artists may not have this trouble because they can book a session to record in a professional studio. From that moment, his father knew that his son would take this passion and do something with it-so he bought him a mic, and Bishop uses that same mic till this day. This could've been a moment for Bishop to give up and move onto another skill or hobby that interested him, like animation, but it soon became resolved when he sent a song to his dad. He took advantage of this opportunity and began recording music until the person who initially gave the mic to Simon took it back.ĭuring that time, he had to work with the quality of recording from a phone without a mic, which is still doable but not the same. When you get something you truly love, you're going to make sure that you use it, and that's precisely what Bishop did with this mic. Getting a mic as an independent artist is almost like getting a puppy for Christmas.
In 2018, Simon gave Bishop his first mic. "Oftentimes when things don't work out people turn to music, but it wasn't like that for me."
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